Two typographers ( Pierre & Damien / plmd.me ) and a pro race pilot (Stef van Campenhoudt) collaborated to design a font with a car. The car movements were tracked using a custom software, designed by interactive artist Zachary Lieberman. ( openframeworks.cc )

Download the font here: nl.toyota.be/iqfont

More pictures here: flickr.com/photos/40243214@N05/sets/72157621047564023/ Cast: wireless, thesystemis and pleaseletmedesign

Le "H", reprenant les proportions exactes de "l’Helvetica", typographie aux traits jugés si purs, est le symbole de la recherche d’efficacité. Face à une société aux comportements stéréotypés, l’individu a pour seul repère des modèles préconçus et adoptés par tous. Retranché dans un sentiment de fatalité, l’individu hanté par ses pulsions se révolte dans un vertige de violence. Cast: filnug

The very 'typographic', very nicely done titles for 2005's "Thank you for Smoking", by shadowplaystudio. The film is as clever as the titles. Cast: Jonathan Howells

The appeal for a distinctive, professional and timeless typeface has never dwindled and it keeps gaining more followers day by day. Love it or hate it, with its multitude of styles and versions, Helvetica is here to stay.

Apparently there are more stylish feed readers out there (who knew?). Typography big wheel Antonio Carusone of Aisle One has developed some fantastic looking themes that should appease any typophile.

New York Times article about how Helvetica became the font of choice for the MTO.

Usually I am supportive of major changes on Facebook. Today I am not. Mine just switched over and i think they blew the typography and tried to copy twitter too much.

IMO.

I just picked up this f'n sweet ampersand t' from Ugmonk. They have some other cool stuff featuring the letter "a" and the number "5". Yep.

There's nothing more design nerdy than ampersands, and i'm no different. It's easily the coolest character ever. Ugmonk spices it up a bit with some copy "& then I woke up"...nice touch.

learn more about ampersands here .